Invariably I consider specialist music programs to be my preferred field of radio programs. As a self-confessed “music nerd”, I thoroughly enjoyed the opportunity of listening to a varied triad of specialist music programs. I listened to Monday, June 15th’s edition of ‘The Daily Planet’ and Saturday, June 20th’s edition of ‘The Music Show’ on Radio National, along with Monday, June 22nd’s edition of ‘Makeshift Swahilli’ on PBS. All three programs specialise in differing genres, all of which I found interesting and engaging.
‘The Music Show’, hosted by Andrew Ford, specifically focuses on a range of classical music and composers. The program was primarily constructed of interviews with notable musicians and music critics, including classical pianist Stephen Hough about his performance at the Second piano Concerto of Tchaikovsky in Sydney, electronic composer and sound artist Paul Gough about the release of his first album in five years, and music critic and author Alex Ross about 20th century music and the contents of his most recent book “The Rest is Noise: Listening to the 20th century”. Featured in the program was also a live performance by Japanese shamisen player Noriko Tadano.
‘The Daily Planet’, currently hosted by Andy Copeman whilst the program’s regular host Lucky Oceans is on leave, specialises in a unique array of world, traditional and innovative music. Artists featured throughout the program included Australian musician Rafael Godoy with his tribute to the work of his Columbian grandfather, and Quebec musician Eric Mongrain known for expanding the normal definition of the guitar into a percussion instrument, as well as a string instrument. The program’s feature album was from Brisbane duo “The View from Madeline’s Couch” with their incorporation of the vibraphone into the very particular Brazilian music idioms.
Divergent in nature, ‘Makeshift Swahilli’, hosted by Adrian Ockerby, specialises in “noisy, adventurous underground rock”, along with other correlated obscure and unconventional genres. The program also has a strong focus on local music of the aforementioned genre, regularly playing demos, self-released or unreleased recordings and small label releases, as well as providing the listener with information about upcoming gigs from local artists.
Notable differences in each program’s presentation style and structure were observed from my listening. With its inclusion of reasonably lengthy interviews, ‘The Music Show’ was the only program to feature interviews. Conversely, without interviews, ‘The Daily Planet’ and ‘Makeshift Swahilli’ provided listeners with a greater quantity of music. Unsurprisingly, profound professionalism on behalf of the presenters was exhibited in ‘The Music Show’ and ‘The Daily Planet’, as opposed to the disorganised, amateur nature of ‘Makeshift Swahilli’, complete with inordinate “ums” and “ahs”, paper shuffling and near inaudible mumbling.
Despite the somewhat unsystematic presentation of ‘Makeshift Swahilli’, all three programs did nevertheless exhibit considerable knowledge in the specialised genre, even if conveyed in a desultory dilettante-like manner.